« Making an Artist’s book is aimed at bringing the reader – and the author – to an unknown land, with a freedom that no current edition can afford. Every single element of the book is involved in this task. But whereas choice of format, binding, paper, typography, size and colour variations are all daily concerns. some choices, however, like sectioning the text, inserting or not voids or etchings,, stressing some words, etc. remain unexpected to the author himself . It is through the combination of all these elements that the reader can acquire a totally new vision of a text, or of an etching. Of course, this can be risky: if a text is not solidly constructed and clearly meaningful, it faces the danger of not resisting such treatment. Actually, the stronger the text, the freer I feel to wring it and tear it to pieces, offering it a new life in artist’s book form…I find that my total liberty in text treatment has no real limit, except coherences of meaning, bearing in mind, as a priority, that any technical choice can be made, provided it makes sense. »
« Why Artist’s Books? » Lecture by C. Illouz
at the Steely Library of Northern Kentucky University, 2011
ALL RELEASES
DANS L’AIR
Gravure à lire (2020)
- Edition de 10 exemplaires, sur papier chinois.
- Édition de 12 exemplaires, sur soie.
Dimensions : 9 ½ x 6 po
Une longue eau-forte, imprimée en couleur, déroule une rêverie dramatiquement muette sur le voyage infini de nos déchets volants
CRAPAUD DORÉ
Une déclaration calme et poétique sur la disparition silencieuse des espèces.
Ce poème inédit de Rob Swigart a été mis sous forme de livre d’artiste, avec 5 gravures à la pointe sèche originales, avec aquarelle, en 2023.
- Édition de 15 exemplaires, sur papier jia xuan.
- Edition de 20 exemplaires, typographie sur papier vélin d’Arches, typographie par Atelier Auger, France.
Les 5 eaux-fortes à la pointe sèche, imprimées par l’artiste à Chérence, en France, ont été réalisées d’après des photographies, aucun spécimen de cet animal n’ayant été observé depuis 1989.
Tous les exemplaires sont numérotés et signés par l’auteur et l’artiste.
LES COULOIRS DE THEODOR
Ce livre d’artiste de CLAIRE ILLOUZ a été réalisé en 2022, à l’occasion des célébrations du bicentenaire d’ERNST THEODOR AMADEUS HOFFMANN (1776 – 1822).
PRIX DU CHOIX DU JUGE à la foire du livre d’Oxford Fine Press, 2023.
Édition de cinq exemplaires, entièrement imprimés sur soie, et comprenant 14 gravures originales à la pointe sèche, avec aquarelle.
Les textes d’Hoffmann et les gravures ont été imprimés et montés par l’artiste à Chérence, en France. Tous les exemplaires sont numérotés, I/V – V/V, et signés par l’artiste.
FAR FROM A PARADISE – 2021
Original text and etchings by C. Illouz, printed by the artist in 2021.
Letterpress by Atelier Auger.
Number of etchings : 9.
Edition of 30, on Taiwan Xuan paper. 13. 3/4 x 7 x 3/4 in.
©J.M. Rousvoal
GRAND BEAU – 2019
An unpublished poem by Henri DROGUET. Six engravings by C. Illouz. Letterpress: Atelier Auger. Edition of 30, on Johannot paper.
Case in 2 colors. Dimensions: 11. ¾ x 7. ½ in.
Along with chaotic visions of this agitated landscape, a long engraving (74 cm: burin, dry point, rocker) unfolds on this restless poem, enhancing Henri Droguet’s angry, raucous tone.
BRUTAL NIGHTS – 2018
4 poems by PIERRE DE RONSARD (1524 – 1585), with 6 original etchings by C.Illouz, printed and hand-colored by the artist, on linen rag paper. Letterpress by Atelier Auger. Edition of 30, (Black box, dimensions : 9 x 8. ¼ x ¾ in.)
This book is the insomniac printmaker’s homage to the “Prince of Poets”. For 4 “Brutal Nights”, in the spent mind of a master consumed by insomnia, poetry nonetheless flows, in waves of desperation. The 4 nocturnal poems in French and 5 original hand-colored etchings are printed on linen rag paper, a fleeting evocation of bedclothes of the past.
THEY RUN – 2016
Poem by MARSHA POMERANTZ
6 etchings and 2 engravings by C. Illouz
Letterpress by V. Auger. Title design by Célia Bugniot.
Edition of 30, on Opal paper.
16. ½ x 6. ¾ x 1. ¼ in.
ENGRAVED STATEMENTS – 2015
5 etchings by C. Illouz and 5 sentences by 5 authors (Zhuangzi, Wittgenstein, Thoreau, Sena, Valéry).
Letterpress by V. Auger.
Edition of 30, on Moulin de la Roque paper.
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A TEMPEST JOURNAL – 2015
10 long etchings, all unique, to read : a tempest- shaken landscape.
Printed on, and mounted with, Chinese paper. 9. ¼ x 5. ¾ x 0,6 in.
Sur soie : 10 exemplaires (épuisé)
SUMMER BOUGHS – 2015
3 poems by EMILY DICKINSON, with 6 etchings and 3 embossings by C. Illouz, set and printed in Chérence, France. Letterpress by Monique Roncerel and Vincent Auger. Edition of 30, on BFK Rives paper. Box : 5. ¾ x 7. ¾ x 1. ½ in.
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GRACE DAMNS – 2014
32 poems by HENRY PILLSBURY.
Letterpress by Atelier Vincent Auger.
– Current edition of 200, on Olin paper, with 4 linocuts by C. Illouz.
– Bibliophile edition of 30, on BFK paper, with 4 etchings by C.Illouz.
12. ½ x 5. ¾ x 1. ¼ in.
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BETWEEN THE SKY AND US – 2013
Text by PASCAL RIOU (born 1954), 2 etchings and 1 smoke drawing by C. Illouz
Letterpress by Vincent Auger. Edition of 35, on BFK paper. Grey case.
Dim.: 8. ¾ x 5. ¼ x ¾ in.
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PLACE – 2012 (out of print)
Original text by JOEL-CLAUDE MEFFRE, after 3 unique etchings, printed on silk, by C.Illouz.
Lertterpress by Vincent Auger, Paris. Edition of 22, on Rives and on silk. Marbled cover.
Box: 13. ¼ x 8. ½ x 1 in. (out of print)
In 2013, LIEU was granted the Jean Lurçat award by the French Fine Arts Academy.
THE WAYFARER – 2011 (out of print)
Poem by STEPHEN CRANE. 6 etchings by C. Illouz.
Letterpress by Michael Caine. Edition of 35, on BFK Rives paper.Marbled case.
Dim. 5. ½ x 7 in. (out of print)
Click to watch a 6mn video of this book
LONELY THE SEABIRD LIES AT HER REST – 2010 (out of print)
A poem by William Butler YEATS (1865 x 1939)
6 etchings by C. Illouz. Letterpress by Sergent Fulbert.
Edition of 30, on BFK paper. Edition of 5, on Japon nacré paper.
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LE SUJOBJET A QUINZE HEURES – 2009
Poem by EUGENE JOLAS (1893-1952)
4 colour etchings by CLAIRE ILLOUZ.
Embossed cover, and text printed in letterpress, by Sergent Fulbert.
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TO THE ROADSIDE – 2009
Click to watch a 8mn video of this book
THE WHITENESS – 2008 (out of print)
An excerpt from Moby Dick,by Herman MELVILLE
2 original double-page etchings(1 in color), and 3 original embossed prints,by Claire Illouz.
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A DIARY OF WEEDS – 2008 (out of print)
A dry point print to be read (length : 134,5 inch.), by C. Illouz. Edition of 10, on Chinese Xuan paper. Case colour : Black. Dimensions : 9 x 4,2 x 0,78 inch. Edition of 10, on Chinese Xuan paper.
Click here to turn pages
STORMY WEATHER FOR BOOKS – 2008 (out of print)
A pocket edition of several sepia etchings to read. A nightmare, about rain and water damage on books. Edition of 15, on Amalfi paper. Marbled cover. 6.3/4 x 4.3/4 in.
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SINTONIA – 2005
Two poems by Paolo Leminski and João Cabral de Melo Neto. Bilingual Edition (Portuguese- French). One print and one bas-relief by Frida Baranek, two prints by Claire Illouz.
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POEMS Paul Huin (1902-1944)
30 poems by PAUL HUIN (1902-1944)
with 1 fac simile of unpublished drawing by Max Jacob, and 2 etchings by C. Illouz.
Edition of 21, on BFK paper. Dim: 13 x 10.24 in.
THE RIVER BIEVRE by Joris Karl Huysmans – 2005
Bilingual edition (French – English). Original translation by Rob Swigart and Danielle Trudeau. Edition of 55. Black case. Dimensions: 10.83 x 7.10 x 0.8 inch.
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DELE(C)TA PLACENT – 2004
Editions de l’Ariane. Five poems by Tita Reut, written after 5 etchings by C. Illouz. Edition of 50, on BFK paper. Linen covered case. Dim.: 13 x 10.24 inches
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ROADSIDE TOKENS – 2004 (out of print)
Edition of 5, on Arches paper. Edition of 10, on Japanese Torinoko paper. Dim: 3.94 x 3. 40 inches
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ZESTS, culinary thoughts – 2004
Texts by Eric Guérin, Chef at La mare aux oiseaux, a star restaurant in St Joachim (France), with 6 colour etchings and prints by Claire Illouz. Edition of 50, on BFK paper. Monotyped case. Dim: 13.79 x 10. 63 inches.
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SWEET EARTH SUITE – 2001
An angry meditation over the natural tangle of things. 6 etchings with text by Claire Illouz. Edition of 30, on Lana paper. Printed envelope. Dim: 10.63 x 6.30 inch
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SIDEWALK SIGHS – 2001
Variation gravée sur la lettre H, à l’écoute des soupirs du sol de la ville.
Gravure, marbrure, pochoir et empreintes. 14 exemplaires uniques sur BFK.
Etui : 26 x 18 x 2 cm
MY OUBLIETTES – 2000
Quotations by Vera Linhartova, with eight etchings by C. I. two in colour. Edition of 50, on Lana Paper.Case colour: black. Dimensions: 8.27 x 7.88 inches
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TUM – 1999 (out of print)
Texte érotique traduit du chinois en latin par Robert Van Gulik ; avec huit gravures de Claire Illouz. Dim. : 24,5 x 17,5 x 1,5 cm. Tirage sur Johannot : 30 exemplaires sous étui soie.